{"id":49823,"date":"2021-02-18T13:31:26","date_gmt":"2021-02-18T13:31:26","guid":{"rendered":"https:\/\/monheganmuseum.org\/postwarmodernism\/?page_id=49823"},"modified":"2021-05-15T11:36:28","modified_gmt":"2021-05-15T11:36:28","slug":"postwar-modernism-on-monhegan-2","status":"publish","type":"page","link":"https:\/\/monheganmuseum.org\/postwarmodernism\/postwar-modernism-on-monhegan-2\/","title":{"rendered":"ARTISTS"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22&#8243;][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.9.0&#8243; custom_margin=&#8221;-50px||||false|false&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.9.0&#8243; background_image=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/wp-content\/uploads\/2021\/02\/DAVIS_2761.jpg&#8221; background_position=&#8221;top_left&#8221; custom_padding=&#8221;100px|5px|100px|5px|true|false&#8221; custom_padding_tablet=&#8221;&#8221; 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border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_color_all=&#8221;#000000&#8243;]<\/p>\n<h2>JOE DEMARTINI<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.9.0&#8243; background_image=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/wp-content\/uploads\/2021\/02\/4015_01.jpg&#8221; custom_padding=&#8221;100px||100px||true|false&#8221; animation_style=&#8221;flip&#8221; animation_delay=&#8221;250ms&#8221; link_option_url=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/farruggio\/&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;2px&#8221; border_color_all=&#8221;#000000&#8243; box_shadow_style=&#8221;preset1&#8243;][et_pb_text _builder_version=&#8221;4.9.4&#8243; header_text_color=&#8221;#FFFFFF&#8221; header_2_text_color=&#8221;#3A3838&#8243; background_color=&#8221;rgba(241,194,50,0.78)&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-25px|5px|-50px|5px|false|false&#8221; 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border_color_all=&#8221;#000000&#8243; box_shadow_style=&#8221;preset1&#8243;][et_pb_text _builder_version=&#8221;4.9.0&#8243; header_text_color=&#8221;#FFFFFF&#8221; header_2_text_color=&#8221;#3A3838&#8243; background_color=&#8221;rgba(241,194,50,0.78)&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;-25px|5px|-50px|5px|false|false&#8221; custom_padding=&#8221;10px||0px||false|false&#8221; animation_style=&#8221;zoom&#8221; animation_delay=&#8221;200ms&#8221; link_option_url=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/hantman\/&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;RGBA(0,0,0,0)&#8221;]<\/p>\n<h2>MURRAY HANTMAN<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.9.0&#8243; custom_margin=&#8221;-10px||-10px||true|false&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.9.0&#8243; 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link_option_url=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/henry-kallem\/&#8221; motion_trigger_start=&#8221;bottom&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;1px&#8221; border_color_all=&#8221;RGBA(0,0,0,0)&#8221; background__hover_enabled=&#8221;on|hover&#8221; header_2_text_color__hover_enabled=&#8221;on|desktop&#8221;]<\/p>\n<h2>HENRY KALLEM<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.9.0&#8243; background_image=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/wp-content\/uploads\/2021\/03\/2554.jpg&#8221; custom_padding=&#8221;100px||100px||true|false&#8221; animation_style=&#8221;flip&#8221; animation_delay=&#8221;100ms&#8221; link_option_url=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/herbert-kallem\/&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;2px&#8221; border_color_all=&#8221;#000000&#8243; box_shadow_style=&#8221;preset1&#8243;][et_pb_text _builder_version=&#8221;4.9.0&#8243; 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