{"id":50202,"date":"2021-02-24T18:18:44","date_gmt":"2021-02-24T18:18:44","guid":{"rendered":"https:\/\/monheganmuseum.org\/postwarmodernism\/?page_id=50202"},"modified":"2021-04-28T19:35:38","modified_gmt":"2021-04-28T19:35:38","slug":"michael-loew","status":"publish","type":"page","link":"https:\/\/monheganmuseum.org\/postwarmodernism\/michael-loew\/","title":{"rendered":"Michael Loew"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.4.7&#8243; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.9.0&#8243; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; custom_css_main_element=&#8221;z-index: 10;&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.4.7&#8243;][et_pb_image src=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/wp-content\/uploads\/2021\/02\/3035A_1.jpg&#8221; alt=&#8221;Michael Loew on Monhegan circa 1950. Gift of Mildred C. Loew. Collection of Monhegan Museum.&#8221; title_text=&#8221;Michael Loew on Monhegan circa 1950. Gift of Mildred C. Loew. Collection of Monhegan Museum.&#8221; show_in_lightbox=&#8221;on&#8221; show_bottom_space=&#8221;off&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.9.0&#8243; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; min_height=&#8221;226px&#8221; custom_margin=&#8221;68px||0px||false|false&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221;][et_pb_text _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221; header_text_color=&#8221;#d8a408&#8243;]<\/p>\n<h1>MICHAEL LOEW 1907-1985<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.9.4&#8243; width=&#8221;100%&#8221; custom_margin=&#8221;-19px|-5px|-173px||false|false&#8221; custom_padding=&#8221;0px||1px||false|false&#8221; hover_enabled=&#8221;0&#8243; custom_css_main_element=&#8221;z-index: 1;&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><em>&#8220;I\u2019ve seen so much art that says, \u2018Here it is.\u2019 I don\u2019t want to do that anymore. I want to say, \u2018It\u2019s here, you look for it.&#8221; <\/em>&#8211;<span style=\"font-size: small;\"> Larsen, Susan C., Conversation with Michael Loew, New York City, August, 1979. Published in \u201cA Painter\u2019s Geometry. The Art of Michael Loew\u201d, Arts Magazine Nov. 1979.<\/span><\/p>\n<p>Born and raised in New York City, Michael Loew apprenticed after high school to a stained glass maker and enrolled in 1926 in the Art Students League. In 1929 he traveled to Europe on a fellowship from Baltimore art patron, Sadie A. May, to study at the Academie Scandinave, Paris with Charles Dufresne.<\/p>\n<p>When he returned to the States during the Depression, he managed to find full time engagement with various <strong><a href=\"https:\/\/monheganmuseum.org\/postwarmodernism\/wpa\/\">WPA<\/a><\/strong> projects. He and his friend, Willem de Kooning, won commissions to paint murals for the New York World\u2019s Fair in 1939. Afterward, Loew spent several months in Mexico where he befriended Joseph Albers. In 1946, following his service in the Pacific, Loew enrolled in the <a href=\"https:\/\/monheganmuseum.org\/postwarmodernism\/hans-hofmann\/\"><strong>Hans Hofmann School of Fine Arts<\/strong><\/a> under the GI bill, and in 1950, he studied at the Atelier L\u00e9ger in Paris.<\/p>\n<p>Loew taught at the School of Visual Arts in New York City from 1958 until his death in 1985. He received a Guggenheim Fellowship and a National Endowment for the Arts Fellowship. His work is represented in the collections of the Guggenheim Museum, the Whitney Museum of American Art, the Albright-Knox Art Gallery in Buffalo, NY, the Hirshhorn Museum and Sculpture Garden in Washington, DC, and the Farnsworth Art Museum in Rockland, Maine<\/p>\n<p>Loew purchased a cottage on <strong><a href=\"https:\/\/monheganmuseum.org\/postwarmodernism\/studios\/\">Horn&#8217;s Hill<\/a> <\/strong>on Monhegan in 1960 and added a large studio in the early 1970\u2019s. In New York, Loew lived close to 28th Street where many other Monhegan artists had studios.<\/p>\n<p><span class=\"ILfuVd NA6bn\"><span class=\"hgKElc\">\u00a0<\/span><\/span><\/p>\n<p><span class=\"ILfuVd NA6bn\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-52px||||false|false&#8221; custom_margin_tablet=&#8221;-57px||||false|false&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;18px||||false|false&#8221; custom_css_main_element=&#8221;z-index: 2;&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221;][et_pb_gallery gallery_ids=&#8221;52059,52066,52056,52052&#8243; posts_number=&#8221;3&#8243; show_title_and_caption=&#8221;off&#8221; _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221; pagination_text_align=&#8221;left&#8221; width=&#8221;65.3%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;96%&#8221; width_last_edited=&#8221;on|phone&#8221; min_height=&#8221;177.3px&#8221; custom_margin=&#8221;-96px|-149px|||false|false&#8221; custom_margin_tablet=&#8221;40px||||false|false&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;92px|3px|0px||false|false&#8221; module_alignment_tablet=&#8221;&#8221; module_alignment_phone=&#8221;center&#8221; module_alignment_last_edited=&#8221;on|phone&#8221; custom_css_main_element=&#8221;z-index: 2;&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221;][et_pb_button button_url=&#8221;https:\/\/monheganmuseum.org\/postwarmodernism\/nicholas-luisi\/&#8221; button_text=&#8221;Next&#8230; NICHOLAS LUISI&#8221; button_alignment=&#8221;right&#8221; _builder_version=&#8221;4.9.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#d8a408&#8243; button_bg_color=&#8221;#3A3838&#8243; button_border_color=&#8221;RGBA(0,0,0,0)&#8221; button_border_radius=&#8221;5px&#8221; button_letter_spacing=&#8221;0px&#8221; transform_scale=&#8221;112%|112%&#8221; custom_margin=&#8221;-75px||||false|false&#8221; custom_padding=&#8221;1px||1px||true|false&#8221; box_shadow_style=&#8221;preset6&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MICHAEL LOEW 1907-1985&#8243;I\u2019ve seen so much art that says, \u2018Here it is.\u2019 I don\u2019t want to do that anymore. I want to say, \u2018It\u2019s here, you look for it.&#8221; &#8211; Larsen, Susan C., Conversation with Michael Loew, New York City, August, 1979. Published in \u201cA Painter\u2019s Geometry. The Art of Michael Loew\u201d, Arts Magazine Nov. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-50202","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/pages\/50202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/comments?post=50202"}],"version-history":[{"count":5,"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/pages\/50202\/revisions"}],"predecessor-version":[{"id":53662,"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/pages\/50202\/revisions\/53662"}],"wp:attachment":[{"href":"https:\/\/monheganmuseum.org\/postwarmodernism\/wp-json\/wp\/v2\/media?parent=50202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}